projection // media arts

About me

Previous work

  • All
  • publicspace
  • online media
  • production
  • media arts
  • teaching
  • film
  • fashionfilms
  • events
  • news


I currently work in as a Professor in Media Arts.

This role, along with my professional background gives me a diverse range of experience across a number of discipline areas.

    • Media programming and development
    • Public space and visitor experience installations
    • Online video process development + production

    Media Production

    • Internal and External program development
    • Issues management and strategy
    • Media production for stakeholder communications

    Stakeholder Communications

    • Team based research for Industry
    • SCRUM / Agile project development
    • Double Diamond process management

    Design research

    • Project and Program direction
    • Film video and installation
    • Online user experience
    • Pubic space media


    • Project based consulting for media
    • Production and workflow development
    • Process appraisal and review

    Project consulting

    • Curriculum and program development and delivery
    • Faculty development
    • E-Learning program development
    • Industry outreach and program integration

    Academic program management



Memory and Forgetting

In the course of a career producing media works, I frequently encounter the horizon of obsolescence in media.

This happens, most frequently, in the digital realm. In spite of the claim to infinite and serial reproducibility, the digital artifact is determined not so much by its serial self sameness, but by its relations to the logic of capital under which it is promoted.

Its loss is inevitable. From nothingness to nothingness – the digital is the perfect anti-atifact that is has no existence as form – it cannot be discerned, communicated or used without specific invocation. In this sense, it has similarities to film, without film’s claim to materiality.

Continue Reading..


Transmedia :: [[ echo chamber ]]

As with any unknown, the gap between what we observe and what we wish to believe is filled with faith.

From biblical literalists to conspiracy theorists, narratives that construct a greater and unseen force in human affairs – the historical march of the dialectic – are maintained, in the face of a perpetual present, through communities of interest.

In our age of hyper-mediated polyphony this will to faith creates its own proofs through the simple repetition of belief. Go to the internet – say it and it is so.Continue Reading..


Teenage dystopias

The slew of teenage films set in a dystopian near future is more than a case of Hollywood’s thematic franchising.

In a very real way, the success of these oddly similar stories speaks of the cultural zeitgeist in the collective adolescent imagination.

Continue Reading..


A thousand plateaus

“The need to speak, even if one has nothing to say, becomes more pressing when one has nothing to say, just as the will to live becomes more urgent when life has lost its meaning.”
Jean Baudrillard – The Ecstasy of Communication

Nothing about media’s polyphony could be an adequate predictor for the popularity of the unboxing video. In our endless mediaverse, history is jettisoned – supplanted by the breadth of an infinitely replicable series of gestures of the moment.Continue Reading..


The millenarian impulse

Warnings of an immanent apocalypse have been an aspect of Judeo-Christian belief since the Old Testament. Given the failure of this finale to materialize, [Mayan calendar included] it is still surprising that a high number of people [more than one in seven by some accounts] persist in the idea that the “end of days” will happen within their lifetime.Continue Reading..


Transitional spaces

The proliferation of media in public space is often theorized in terms of the media city – of a proliferation of images – programmable,  layered and often in proxemic competition for attention, that is a visible manifestation of the post modern condition.

To see public media in these terms – a spectacular accumulation of images [and that alone] is to miss the programmatic purpose of much of this media.Continue Reading..


Design memes

One of the powerful aspects of theories of memetics is that they look to understand the process of societal evolution – applying across all aspects of human activity.

Memes are stories, songs, habits, skills, inventions and ways of doing things that we copy from person to person by imitation. Human nature can be explained by evolutionary theory, but only when we consider evolving memes as well as genes.

Susan Blackmore / Scientific American, Vol 283 No 4, October 2000

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ArtSchool portfolios

For many years, educators in the visual arts have relied on a portfolio to determine if a candidate is good enough for entry to school.

The assumption underlying this is that the more “competitive” the portfolio selection process is, the “better” the school is.

I can’t but disagree with this viewpoint.Continue Reading..


Class and legitimacy

Anyone who looks at cable news in the United States for en extended period of time might ask the question: “Is this news at all?”.

The ubiquity of the media pundit, the professional commentator, has created a stream of invective, opinion and rhetorical denunciation that has little to do with news and analysis, and everything to do with the entertainment value of polarising opinion. After all, a considered centrist position that allows both discussion and compromise is less exciting than a helping of Fox and Friends or Real Time with Bill Maher.Continue Reading..